The reason I film as I do is because if the scene isn’t unmade, destroyed, attained or ruined during shooting, I experience such depression, boredom and disgust – it’s incredibly physical – that I just can’t go on filming. For me, the moment when it becomes possible to shoot is the moment I am no longer a slave to order, to some necessity to execute the scene. The totality of the body, an entire affective framework, must be engaged.[Rouge]

Philippe Grandrieux: Was M. erzählte, was in diesem Interview zu lesen ist, oder hier: all das weckt den dringenden Wunsch, diese Filme zu sehen. Aber wie? Aber wo?

[via New Filmkritik]